Books by Mark Schultz. Bryan enjoys playing in the rain, G-chatting and lying in the grass. She has just graduated from eighth grade at Lake Country School and is excited about going into ninth at Saint Paul Academy. An enthusiastic actress, she has participated in every school play since she can remember, and was in the community theater production of Fiddler on the Roof with Morris Park Players.
Of faeries, love, plays, and magic, Midsummer has unfolded. At Hamline, he played in both the orchestra and cello ensemble. In the future, he hopes to go to graduate school to pursue a degree in clinical psychology. Connor Thomas Chickweed : Connor is very excited to do Midsummer.
He has done little scenes from Shakespeare but never an actual show. He is so glad that his first time is with such a magical cast and a wonderful director and crew. A little fun fact, Connor has been a Fairy for his whole life and now he can really express himself as he really is. Danielle enjoys fishing, canoeing and camping. She plays soccer with the St. She is an experimental photographer, writer, and actress and has won a Gold Key award for poetry and a Silver Key award for photography.
Her first theatre production was Joseph and the Amazing Technicolor Dreamcoat at her high school. This is her first time working with the Upright Egg Theater Company, and feels extremely fortunate to have had the opportunity to work with such an amazing cast of people. An original member of The Playwrights Lab, he returns to performance after an absence of nearly 30 years spent in the realm of journalistic writing. He wishes to thank the cast and creative team for making this a wonderful process through and through.
This is also his first Shakespeare play in a park. Olaf in She spends most of her days running and jumping from bower to bower and messing with various humans who wander into her territory. With her cohorts Cereus and Syringa, she pretty much rules the lower west part of the forest. In the name of Oberon and Titania, of course.
Since graduating from St. He is also thrilled to be working under the direction of the lovely Leah Adcock-Starr once again, as well as working with many of his friends and favorite people.
A Brief History of Helen of Troy: (Or Everything Will Be Different) (Oberon Modern Plays) - Kindle edition by Mark Schultz. Download it once and read it on your. Buy A Brief History of Helen of Troy: (Or Everything Will Be Different) (Oberon Modern Plays) by Mark Roman Schultz (ISBN: ) from Amazon's.
Having grown up on a farm in the outstretches of Wisconsin, Kevin has always been very connected to the Earth, and being able to do this show is well worth the two hour commute he puts in every rehearsal. This is not his first time performing in Midsummer, but it is his first in fey form. Thanks to the Egg for the fun, to Midas for the fur, and to Leah for the future. You could say she has come full fairy-circle. Larissa has been playing with UE ever since, having just completed her first year as a full-fledged company member. She has also choreographed an Opera show in association with the Minnesota Opera, and taken on the supporting role of Rosalia in the same production.
As a teacher, Lindsey focuses primarily on social justice theater and the creation of original plays by youth, which she has done with Steppingstone Theatre, St. Lindsey holds a B. Theseus is listed in the cast of characters as "Duke of Athens. It was what we would today call a kingdom and Theseus was its king.
The title "Duke of Athens" did not, however, come out of nowhere. In a party of Crusaders from the West overthrew the Byzantine Empire, which then ruled Greece, took and sacked its capital, Constantinople, and divided up what they could of the Empire among themselves, fashioning new states, Western style. One of these fragments was the "Duchy of Athens," which included the regions about Athens and Thebes. Finally, in , it was absorbed into the empires of the Ottoman Turks. Since A Midsummer Night's Dream centers about a wedding, since it is gay and frothy and all about love and lovers, it seems natural to suppose that it was written for, and originally produced as, part of the entertainmerit at a wedding feast.
Scholars have tried to guess which wedding it might have been and six different ones have been suggested, but none is very likely. The marriages of the two men most likely to have the use of Shakespeare's services in this way, the Earl of Southampton see page I-3 and the Earl of Essex Elizabeth's favorite and a great friend of Southampton , both took place in , which is too late for the play. The marriage festivities of Theseus and Hippolyta serve as the background plot, or the "frame," of the play.
In the foreground are three other sets of events, Involving totally disparate groups of characters whom Shakespeare cleverly weaves together. The first of these subplots is introduced at once, as a set of well-born Athenians break in upon Theseus. At their head is Egeus, who is vexed and annoyed because his daughter, Hermia, will not agree to marry a young man named Demetrius.
Hermia insists stubbornly that she is in love with Lysander, of whom her father does not approve.
Lysander himself points out that Demetrius had previously been in love with Helena, a friend of Hermia's, and that Helena still returned that love. All will not do. Despite Hermia's emotion and Lysander's reason, Egeus insists on having his way, as is his legal right.
Theseus decides that by his own wedding day Hermia must have agreed to obey her father. The alternatives are death or lifelong celibacy. All then leave the stage, but Lysander and Hermia. No recourse but flight seems left them. Lysander suggests that Hermia meet him in the wood outside Athens and that they flee to a rich aunt of his who lives outside Athenian territory. There they can marry. Hermia agrees to meet him that very night, swearing to do so in a lyrical outburst of romantic vows:.
Cupid is the Latin version of the Greek Eros, both of whom were personifications of sexual passion. Cupid Eros is earliest mentioned in the works of the Greek poet Hesiod, who wrote in the eighth century b.
There he represented the impersonal force of attraction that created all things. In later centuries Cupid was personified as a young man, then as a boy, and finally as an infant rather like the cherubs in our own art. In the Greek myths he was given various sets of parents; Venus and Mars see page I in the best-known version. He was considered to be mischievous, of course, as anyone could see who witnesses the ridiculous events brought about by love.
He was sometimes depicted as blind, since love seemed to afflict the most mismatched couples mismatched by all standards except those clearly visible to the lovers themselves. He was supposed to possess a bow and arrows, for the onset of love which is sometimes sudden, or seems sudden in later reminiscence resembles a quick arrow in the heart.
In later tales, Cupid was given two types of arrows, one with a golden tip to produce love, and another with a leaden tip to produce hate. Sometimes the hate arrows were made the property of a companion deity, Anteros "opposed to Eros". Doves were birds sacred to Venus see page and they too served as appropriate vehicles for lovers' oaths. The "Carthage queen" is a reference to one of Shakespeare's favorite personages in classical legend and one to which he often refers. She is Dido, who in b.
The best-known story in connection with Dido involves the Trojan hero Aeneas. Aeneas is one of the fighters on the Trojan side who survived the destruction of Troy. Indeed, at one point in the Iliad, Aeneas is on the point of being destroyed by the invincible Achilles, and is saved by the intervention of the gods. The excuse is that Jupiter Zeus "intends that Aeneas shall rule the surviving Trojan stock, and his children's children after him. Naturally, numerous tales were later invented that gave Aeneas adventures after the fall of Troy.
Of these, the one that is best known today was not told by a Greek at all but by a Roman poet, Publius Vergilius Maro best known among English-speaking people as Vergil. In the reign of Augustus, first of the Roman emperors, in the last decades of the first century b. The epic poem he wrote was named Aeneid for its hero. Eventually, Aeneas lands in Carthage and meets Queen Dido. To be sure, the Trojan War was in b.
Dido falls desperately in love with the handsome Trojan stranger; their love is consummated and for a moment it seems that all will be happy.
But Aeneas is a "false Troyan" who betrays the Queen. The gods warn him that his divinely appointed task is to go to Italy, there to found a line which was eventually to give rise to Rome. Quietly, he sneaks away. Dido, in despair, builds a funeral pyre on the shore, sets it on fire, and throws herself on the flames, dying with her eyes fixed on the disappearing ship. Few readers can feel any sympathy for Vergil's rather pallid hero.
Despite Vergil's own attempt to make it all seem very pious of Aeneas to follow the divine dictates, our hearts are all with the injured Carthaginian and not with the scuttling Trojan. Dido has remained ever since an epitome of the betrayed woman. Of course, it is anachronistic of Hermia to speak of Dido and Aeneas, since that took place after the Trojan War and Theseus lived before-but, again, that is a matter of little moment. Helena now enters.
She is a bosom friend of Hermia's and the friendship has remained unbroken, apparently, even though Demetrius, whom Helena desperately loves, is as desperately wooing Hermia. The two lovers softheartedly decide to tell Helena of their own plan of flight, in order to reassure her that the obstacle to her love of Demetrius will be removed.